JD01 wrote: ↑Wed Jun 01, 2022 4:56 am
Just getting around to listening to your Assman clips - I can hear a bit this morning!
Really like the Mosrite in the first clip, lovely breakup when you're on the bridge pickup - the little Dick Dale impression sounds good too. I think towards the end you switch to the neck pickup with loads of verb and it gets a bit flumpy on chords, but then that's bound to happen.
Ooo, the Les Paul on the bridge pickup in the normal channel is way more gainy than expect, bit fizzy/scratchy though. Not really unpleasant though - clean with the volume rolled back it sounds really nice indeed.
Wow, really like the Les Paul in the bass channel.
Bass sounds lovely - I don't think I've ever played through a proper nice loud bass amp. I've only ever played bass through little practice amps and DI boxes so proper loud bass always sounds good to me.
Strat - this sounds really good. I know you hate strats but this is a great tone, super clean, clear and bright but not thin and gutless.
How loud was this in the room? I've been up for getting a Fender head for a while but I'm conscious that it might only sound good when its been thrashed to a level that I'll never get it to.
Think it sounds best with the Mosrite and Strat. The Les Paul seemed to push the amp really hard and it became a bit scratchy which you don't get when you're playing into a Marshall.
Ha thanks, glad you're feeling better. That "paper-tearing" breakup is just what many Fenders do with humbuckers, particularly hot humbuckers. I've personally never heard one not do that. I hear it in youtube reviews and demos too. It's strange because you don't hear them like that in the room. It only really comes through on close miking and it can sound a little odd on it's own. I
think it's because they let a lot of bass pass through the amp. Most Marshalls and other dirty amps are trimming out unwanted bass frequencies almost all of the time. Most Marshall gain stages and tone stacks are highlighting mids and upper mids and trying to not let bass eat up all of the bandwith. Fenders don't do that. Fenders are anti-mids. They're all bass and treble. Leo Fender disliked humbuckers, and he disliked distortion, and his guitars were all single coil guitars, so that's how Fender amps generally sound their best - clean and sparkly. I agree, I think the Strat sounded fantastic in these clips. Unfortunately that's a sound I almost never want to use.
I had the Assman wound up very loud for these clips. It was fully cranked for the really raunchy Les Paul clips. Treble and Bass settings stayed around 2:00 each, Presence around 12:00. I have a master volume on the amp but it was full-up for this. I only used the channel volumes and the guitar volume. It would be too loud for most gigs. But that's why I put the master volume on it.
I don't know what kind of Fender head would suit you without some type of master volume on it, and most of the more desirable Fender amp designs have no master volume. My 22w Deluxe Reverb head has no master volume and it's borderline loud enough for a full band practice. It has to give just about all it's got for how I play. I've only used it live four or five times and it seemed to be fine without irritating the sound guy. But here in the room by itself it's crazy loud. If you just want the Fender for cleans then they don't have to be deafening. If you want them to break up you gotta push them and then even a little Champ is pretty loud.