JD01 wrote: ↑Mon Oct 24, 2022 12:31 pm
Bought a Mustang - time to shoegaze
Shoegaze Project.mp3
Sounds cool JD!!
Did you buy another mustang? Or did you just make the statement you bought a Mustang so you must now shoegaze?
Same mustang I bought a few weeks ago. I just thought it must be time to shoegaze. It might turn into a full song, I have another part to it, see if I get time
Greg_L wrote: ↑Mon Oct 24, 2022 6:43 pm
So shoegaze is essentially just delays and flangers and phasers and too much distortion?
A heavily modified plate reverb, a multi-voiced chorus modulator, an octave-up etc
PLUS distortion at the start of the chain & oodles of reverb before the delay.
The new FX40 pedal is "Shoegaze" in a box except they didn't include the delay...odd. It's a copy of the Soft Focus program in an FX500 without the delay. I suppose most guitarists have delay pedals they love.
OK, here's a bunch of tones including the new Les Paul. Thought it would be more interesting to post the tones compared to everything else.
No processing, reverbs, limiting or EQ etc on anything.
The first thing that surprised me was how much reverb I seem to have just from playing loud in a small room.
My favourite is probably the Les Paul, its a bit like the Crimson but there's just more clarity to it.
Most disappointed by the Tele on both pickups - I normally like that sound but I usually use it for more gentle strumming and picked arpeggios and stuff - I don't think it works in a more rock n roll context at all! Tele sounds pretty good on the bridge pickup when its just being a tele though - bit scratchy.
The Mustang is way, way lower gain than any of the others, part of me thinks it just doesn't sound very good. But maybe its just 'cos my usual dialed in sounds with my other guitars are just so far away from what the Mustang needs.
Really like the Crimson and the Les Paul together - was looking forward to hearing this two hard panned.
Lt. Bob wrote: ↑Fri Jan 13, 2023 11:55 am
that IS interesting ....... I don't even know what the crimson is ...... I've seen you mention it but I dunno what kind of git it is.
The paul has the weightiest sound of all of them .... very noticeable.
The tele is surprisingly weighty with both p'ups.
And aren't yas' glad you didn't ditch the Mustang?
Ain't gonna get that bright snappy sound outta anything else.
The Crimson is a Custom build. Probably a bit like your Stinnet. Tele shape, but neck-thru with a cap on the body like a Les Paul and two Humbuckers. Probably the most traditional Les Paul style guitar I have.
Not sure about the Mustang - when I first heard these back I was like "Right, that's it, I'm selling it" 'cos I think it sounds shit here... but, thinking more, this test isn't actually how I'd use it in a mix at all. I've not had it long so I haven't done much recording with it yet. I've done loads of recording with the Crimson and Tele.
Sounds great, Greg. Pretty wild at full volume, but cleans up in a really nice way when you dial the volume knob back.
Even the full volume sound is perfectly usable though. Do your different Les Pauls sound notably different from each other with a really overdriven sound like this?
Is the pickup ever so slightly microphonic? Sort of had that sound when it was clean.
JD01 wrote: ↑Mon Jan 23, 2023 11:48 am
Sounds great, Greg. Pretty wild at full volume, but cleans up in a really nice way when you dial the volume knob back.
Even the full volume sound is perfectly usable though. Do your different Les Pauls sound notably different from each other with a really overdriven sound like this?
Is the pickup ever so slightly microphonic? Sort of had that sound when it was clean.
What was your mic setup on this?
This was two mics - 57 and 421 - pointed at a G12-65. It was already set up from a previous recording so I just left it.
I'll do a more proper tone test later. This really was just crank it up and go. The LPs do sound different from each other, but that's mostly due to their very different pickups.
JD01 wrote: ↑Mon Jan 23, 2023 12:09 pm
Cool. I do want to get a 421 at some point, but a G12-65 is slightly above it on the shopping list.
Greenbacks and G12-65s are my #1A and #1B speakers. They're both #1, neither is better than the other, they both excel at what they do.
It'll probably wait until we've got the 3rd floor built out and I have a bigger space but if I see a decent price G12-65 come up I'll just buy it even if its gonna stay in a box for a couple of years. Greenbacks seems like they are starting to go up in price.
Won't know how much space I have until we have the revised plans but I'm estimating it'll be about twice the floor area I currently have... albeit with a sloping ceiling.